the return of faetch - four tracks of real 2016 techno earwiggle is the irish techno label from sunil sharpe following the earth-shifting faetch 1, which was played by practically every techno dj worth their salt, tibetan entity faetch returns for the next part in the ongoing saga. sturdy, rolling drums and fiery vocal bursts on jeidge signal early chaos on the a-side, moving onto the pure techno funk of wershif - a definite ear wiggler if ever we heard one. on the b-side faecel is tense, more heads-down fare, not at all dissimilar to cari lekebusch s classic early drumcode material. closing the ep is cargoe , where jittery broken rhythms ricochet off rave stabs and echoed vocals & sound fx. another crucial faetch four-tracker here, for fans of inventive dancefloor techno.

vinyl only release, 180gr pressing
barac returns to cluj’s midi records, this time with a whole release at his disposal. seen and unseen is an unsung rite of passage, marking the moment of stepping out of his confort zone, from the deep waters of house music with a gentle touch of nostalgia, to reveal a tiny bit of his techno subconscious. both tracks are slow cooked under baracs signature jagged groove, balancing the energy between both ends of the frequency spectre like a shaman guiding the crowd from light to darkness and back on every single loop.

andreas tilliander returns to kontra-musik in a grand style with his second tm404 album. titled acidub , this highly anticipated release is much more of an evolution than a repetition of the first superbly self-restricted album, where tilliander even decided to use only one of the two roland tb-303 waveforms. acidub is a more playful and open listening experience, no doubt inspired by his extensive live touring with the tm404 concept. in fact, you can almost hear tilliander s flock of acid machines breaking free from the restrained modus operandi. every sound is like a migratory bird with a heart yearning for high altitude and favourable winds.

marco bailey returns to his miraculous imprint, mbr limited, and as always he delivers the goodies. this time he comes with plutonium ep featuring two outstanding originals and a remix on ep s title track, by one of the most apocalyptic producers of our era, the fantastic mr. keith carnal. a forward-thinking explosive package which will shake every dancefloor it will make its commanding appearance on.

first solo ep from the talented signal st also known as a member of garage shelter duo. 3 anthems for this third release from midi deux entertainment: techno, deep & house to feed every dancefloors!
supported by : axel boman, san soda, dj steaw, chicago skyway, s3a, anetha, eliott litrowski

centrifuge ep part 2 is the second vinyl release on this hardgroove techno german label. one more time with creme de la creme of hardgroove’s best music producers. second part of centrifuge ep contains remixes from f.tek, dj brutec, eric sand and mark malle. mr. f.tek is bringing to our ears a really good hardgroove beat with heavy kicks and nice percussions. dj brutec remix sounds as always great. heavy kicks, heavy hihats and dark percussions for a real good hardgroove sound, definitely a club burner. eric sand s remix is one of the best remixes on centrifuge ep’s. his killer bass and hihats are destroying every sound system, definitely one great track for every hardgroove fan. mark malle s remix is more progressive and with his bpm under 130 perfect for afterpartys or chillin. centrifuge ep is for all people, who love hardgroove techno and we from kickmasomeass label will bring you only the best from the best. hope you all will appreciate our work and will support our label in the future too. may the hardgroove be with you

nearly a year after his acclaimed debut ep, every inch of you, a musical project meant as an ode to the memory of a once great man, his grandfather, the enigmatic, rosas nievas, steps up to the plate with a sophomore outing for scissor and thread, going away soon on the a-side, the bombastic opener, wastes no time getting its feet moving with charged up percussion, guitar licks, and playful sampling with a clear ode to the likes of matthew herbert.

it is with pleasure that we welcome back heist into the headz camp. he has created the violent rain ep and every track across the project is special.

red double vinyl in gatefold sleeve with download code included.

hvnx is a new hivern sub-label focused in concept eps and mini-albums from artists in the label’s orbit. the series will be a platform for more adventurous sounds, with a special accent in techno and hard ware jams. every release will include a photocopied inlay with a mood board of the artists inspiration for that release.

it was too hard to resist another record store day outing once pontchartrain dropped these edits on us.

previously one half of the advent, colin mcbean aka mr. g is legendary in the underground scene. having been in the game for more than 25 years, mr. g has gained a cult following through his passionate dedication to making music and his powerful live energy. hes a dj that takes his craft very seriously and feels every beat even more so than his adoring crowds. precious cargo is a perfect example of mr. gs elated, pounding, deep house style a club track refined from years of playing live and responding to his crowds. the ‘vocal mix’ features punchy, spirited vocals to complete that traditional mr g style which manages to combine a soulful feel with a gritty, deep bassline. with sassy vocals from blondewearingblack and mr gs signature uncompromisingly pumping beat,precious cargo is backed with exlcusive vinyl only dubs and a remix from kzr.

jäfar make a rapid return to the label and are back to grace the a side of fragil 019, while one half of the duo (elliot sindall) also pairs up with constantin nakov as seura on the flip. black mamba recalls certain aspects of jäfar s previous work on the label: the broken drum line, the subtle vocal samples and the global hypnotic aspect of the music. yet it is also radically different from marzsia. black mamba is a subtle but direct club track, aiming to get the dancers down through its heavy groove. the kick drum and low toms are strongly suggesting leg movement, joining forces with the snares and hats which call upon some serious head nodding.on the b side, white chapel is another broken beat club piece, but this time feels crafted for the afterhours. the groove is lighter and the heady feel is strong, closing the dancer s eyes and inviting them to drift through the music. once again, fragil comes up with original, well produced and highly danceable content, highlighting unsung talents for every versatile dj out there.

the btrax records label is back after few years off, and we are sure that new ep will not disappointed you. we are very proud to put out 1 stunning track made by one of the label artist : camille rodriguez from paris - france. electronic music drives his life for over 10 years now, he has developed his own style incorporating all his influences. he is passionate about the live, and create that way with synthesizers, sequencers, bar and samplers... he likes pushing himself sweating behind his machines, improvising at every moment, keeping control of every sound in order to play more intuitively, getting a better communication with the crowd... “andalusian 2.0” comes in two guises, the original mix which delivers some perfect techno keys and claps over its stomping techno beat, giving it live performance style flavor. the traumer remix takes it into darker warehouse territory but still retains the warmth and groove. kaine’s remix delivering some tough dub techno workouts that still have just the right amount of funk and groove.

following on from their hard hitting previous release quarantine , east london s phil passera & chieka ononye deliver their 4th release as payfone on new york s golf channel recordings. a side catholic central emerges from a dark street corner to bloom into a moody synth and bass heavy rhythm, before colliding with a disco riff that could have easily been borrowed from the master tapes of late 1970 s atlanta outfit brick. featuring the vocal style of argentinian pia gonzalez antar, who in confession recalls the dark dynamic of a relationship with a previous lover many years her senior. the room shaking b side comes courtesy of d marc cantu s haze mix that delivers a pounding late night electronic soul voyage. cantu has been releasing genre defying records since the late 2000 s, and performs as one third of jakbeat super group x2 alongside traxx & jtc.  golf channel every time !

ostgut ton reissues acht of zehn with original tracks by din (aka efdemin and marcel fengler), fiedel and tobias. 2015 marked ostgut tons ten-year anniversary, celebrated with an extensive 30 track compilation release, titled ostgut ton | zehn, spread out over ten 12inch vinyl records housed inside a limited box set. this sampler sold out in no time, which is why ostgut ton is re-issuing these ten 12inches individually in 2016. bubbling synths, a stoic bassdrum, some live hi-hat percussion and synth pads full of bliss – what started as marcel fengler’s and efdemins inaugural collaboration as din for 2013s masse ballet sees its continuation in form of mono on a1. on a2 fiedel contrasts the opening tracks cool sounds with an upbeat contribution: probe-806 gently brushes funk, electro, acid and even boogie territory atop the general muscular rhythm. analogue synth aficionados are being served by tobias.: like a drug is a minimalist techno track with maximalist dancefloor effect through its use of haunting, distanced vocal fragments, discomforting alarm tones and crackling background textures. as with every good drug, you dont necessarily want more of it, but rather a longer duration of effect (in this tracks case: 8:36 minutes).

when kellerkind published his first tracks on sirion records in 2008, nobody ever considered the success story of marco biagini s alter ego. eight years later he looks back on numerous releases, among others on stil vor talent, flash, katermukke or hive audio. his record debut on sirion in 2012 another breakthrough, with special mention required for the title song “disco on the dancefloor”. it’s with this song that kellerkind has definitely won the hearts of his audience and thus left a lasting aftertaste which continues until today. his fourth ep on sirion with the promising title “way out” builds up on the 2010 published “altro mondo ep”. three reduced techhouse tracks promising pure dancefloor feeling with finely assorted forward directional sound elements and smooth deepness. the slightly hypnotic vocal smasher in christian nielsen remix carries nicely with the three tracks in every way and completes the catalog number 42 elegantly.

every artistic scene is lead by their artists and kept alive by their fans, but mostly by its talents, who can look outside of the box and have a great relationship with their crowd. junior c is a great example of how this theory comes true for a dj and producer. in this ep he has worked with h.o.s.h., gui boratto and gunjah to create new approaches of his latest single “coming over” and the result are 3 different interpretations of this dance floor timeless song, full of groove, lush harmonies and organic undertones. it doesn t take much to imagine this ep owning dance floors in the months and years to come. engineered to perfection by label head gui boratto, it s an exciting step for the imprint and the project alike.

diameter: 29.5 cm
thickness: 1.8mm

this mat is made of an engineered cork and rubber composite material, used to dampen vibration before it is radiated as noise and before it is transmitted to other system components. enables better sound quality while playing music by adhering closely to the vinyl record which suppresses the resonances arising and creates a quiet background, improving the sound quality of every turntable.

standard cork mat made of hd (high density) natural cork. enables better sound quality while playing music by adhering closely to the vinyl record which suppresses the resonances arising and creates a quiet background, improving the sound quality of every turntable.&#65279,, diameter: 29.5 cm thickness: 2.0mm

legendary techno innovator neil landstrumm returns to the don t label !
limited copies
legendary techno innovator neil landstrumm returns to the don’t label with 5 tracks of outside the box‚ dance floor pummelers, all boasting an unashamedly wild edge. these tracks have been doing the damage as a part of his live shows that he constantly tours around the world. with game changing albums and 12”s on tresor, planet mu and his own scandinavia, neil is one of the old skool who’s still here today evolving and mutating his sound, winning new fans and drawing influence from sheffield bleep, grime, old skool uk hardcore and almost every area of the uk’s rich electronic music heritage. neil still enjoys ruffling a few feathers and his latest release for don’t fits perfectly with the label’s uncompromising agenda “to release music by a whole host of un-likeminded producers that pushes further than the accepted norm-…

after the hip hop after all tour guts confirms in an idea more than this in the back of his head to make an album where the proportions 80% samples and programming / live 20% would be reversed .. ok! deluxe packaging - double lp gatefold/ with insert and download card

juan atkins and moritz von oswald – the two indispensable protagonists of the electric garden – plug back into the wilderness. ‘transport’ – the new full length effort of the borderland collaborative project – brings together a new set of studio-refined sequences aimed at colonizing some of the dark energy that pulsates through those areas that are thoroughly electrified, even if not ‘on the grid’. ‘riod’ is the first streak to bolt through. the detroit-berlin axis triangulates to a third point which, like the atomic particle that lives in two places at once, flickers between a form of techno-charged ambience and a futuristic club-jazz which cannot be broken down into constitutive parts. borderland remains caught in a state of enraptured stillness, invisibly moving between every imagined future for electronic sound making. the result: a font from which springs serene and exhilarating musical ideas that vibrate with refined energy for sixty seconds in every minute.
the vinyl release includes a download code.

straight outta kampen! from deep known house music island sylt where house is still house...the place of sansibar! true and timeless undergound traxx for every house head on this planet. stay true, stay cool...stay hamsa intenational.

“champion music for the heartbroken.” that’s how bryndon cook, who records as starchild, describes crucial, his first ep for ghostly. it’s easy to hear what he means: over the course of the record’s 30 minutes, starchild creates songs that draw equally on electro and r&b, with silky sheets of synth cascading over rubbery bass lines. and at the center of every one of them is an undeniable twinge of sadness.
the black & white coloured vinyl release includes a download code.

park and ride records announce the first release in 2016 . american influences take part of this master piece, detroit

nice price deal !!! tom and his computer is the newest alias for copenhagen favourite thomas bertelsen. he started out as a teenager by looping and creating beats on his 4 track tape-recorder. since then the very talented producer and dj has been around the block. he produced two albums (with lulu rouge) and a number of songs, edits and remixes. he has also been djing alongside trentemøller every now and then since the early days and most recently tom and his computer performed live on the opening slot of trentemøller’s latest live tour and lately at sonar copenhagen 2015.

hungary s fastest rising star, david temessi, returns on neuhain with his glorious gashouder ep remixed by the top players out there. neuhain s label chief daniel boon, germany s heavyweight champions torsten kanzler and sven wittekind, ukraine s superhero spartaque and italy s diamong marc troit created a package that will make every dancefloor look like the dancefloor of your dreams.

liebevoll überarbeitete disco-, boogie-, soul- und funk-klassiker in vorzüglicher tonqualität. das doppel-vinyl erscheint im klappcover.

italian rudeboy ivan iacobucci brings his brand of lowdown funk-influenced tech house to apollonia with this sterling three-tracker. over two decades of hard work and dedication to his craft has culminated in ivan’s untainted reputation and widespread respect within the underground from true heads like zip and, of course, the apollonia boys. his love of jazz in evident throughout this ep which is full of subtlety and depth, pulsating b-lines and smooth chords are interlaced with razor-sharp percussion and delicate keys. the first track ‘old in on’ has a laid back, though driving, groove, pushing forward with a hefty bassline that is perfectly counterbalanced by the light twinkling keys and barely-there pads. ‘scris frumos’ encapsulates more of an ominous, tribal feeling with intricate effects trickling through every pore of its deep, dark exterior. its atmospherics keep you intrigued, voices echo in the background and a few moments of softened chimes really intensify the already mysterious vibe. ‘mini ass’ channels more of that electro-funk that forms the foundation of ivan’s love for music, haywire radio pulses prance around stuttered beats, giving it a slightly cosmic feel, while pipes add a more organic nuance to the track. absolutely masterful work from ivan, and another inspired addition to the apollonia catalogue.

waxxclusive (only available on good ol 12 inch vinyls). agnès is coming back with its 1st twelve inch since a very long time, 2 years indeed. on accent grave ep youll find a unique blend and agnès trademarked signature of raw house music. music done with ears rather than with a mice. pure mpc build beats, made in western switzerland. accent grave disques is agnès new home and own label exclusively hosting the boys music. do not expect a plaiade of release every months, hell rahter do 2-3 quality releases a year period.

after a strong release by soul in the holes disco godfather sadar bahar, kalakuta soul records returns with a strong three tracker by the hands of west atlantis best kept secret cuttlefish & asparagus that celebrate their third release on the label. this time, the duo dedicates the a side of this three-tracker to never ending dances with a touching vocal that goes through body and soul. on the other hand, the b side is a sure shaker and a massive dancefloor oriented set of tracks that brings out the boogie in every single person in the club.

die vogelperspektive dubbed out the funk of every star.

after the debut release on do not sleep become a sure fire club hit, the ibiza party turned much loved house and tech label now has another weapon up its sleeve. the next release is from perel, is titled charles manson and features another standout remix from resident darius syrossian. perel is a berlin based dj, producer and vocalist who is quickly rising through the ranks. she has released both originals and remixes on o*rs before now, and has a robust house and techno infused sound that simply makes you want to dance. as a dj she is a regular at cool spots like farbfernseher and impresses here with what she serves up for do not sleep. the original is a chunky, no-nonsense house track with bouncy bass, subtle vocals and the sort of futuristic and soulful pads that help make it really stand out. it s a slick, well produced sound that is sure to make it into many top record bags in the coming weeks and months. the remix from darius is a subtle one that layers in some trance inducing vocals and extra breakdowns so as to really highlight the powerful effect of the drums each and every time they drop.

known for his contributions for lumberjacks in hell, seven limited or black key records, giovanni is a talented musician/dj from south italy, producing music for over a decade now. for his faces records debut, gio is going deep, straight back to his latin/jazz roots with la dame et le conga and what u feel like. while paying tribute to the old ny/garage sound on tell you what i do cherry on the top, detroit legend rick wade offers a new take on the title track, crafting a magnificent deep mix of la dame et le conga recommended to every deep house fans and children of the drum

deep in the bowels of the dixon avenue basement lived a man so outrageously overweight we used him for a sofa. king chubby, a suite chap but a bit cheeky. said the only reason he was humpty dumpty was cause every time he rode yer maw she made him a sandwich. he tried dieting but nothing worked. we took drastic action and wired woofers direct to his lardy lugs with in basements vol 2 blasting in on repeat. thanks to the squelchy genius of tunes like luna, save it and sneaking out our big boned bro boogalooed himself skinny. he bopped till the weight dropped. king chubbys pumpalicious now and you can be to if you sign up to casio royales latest dabj dance diet plan.

enormous support by dixon, Âme and solomun for the title track * 146*, which they have hammered in almost every set in the past months

this time tiefenrausch welcomes a new artist in their dub techno family. förster joins the label with his aqua viridis ep and presents a debut with three tracks. as part of his „grün“ series, every track stands for a different vibe of the genre. the a-side comes with a pumping, reduced smasher, that definetely aims on the dancefloor. side b brings more immersed deepnes. „grün xv“ and „grün xviii“ evoke an abyss and enwind the listener with dublime deepness. all covered up by the artwork of alex ketzer and the imagery from jules vernes „20.000 leagues under the sea“.

the ronda’s are various motorways that cross the condal city from it’s opposing corners, just as it’s bell way counterparts, this one’s take you into many different perspectives of the metropolitan area, locations where there’s a park full of green and sun every day, are also tunnels full of pollution, machines and constant darkness. drive carefully

every song done by keith & tex had absolutely trusted in those qualities, and these laid back and relaxing tunes are no exception. on a-side features a mid-tempo rocksteady and the flip side is their cover version of temptations’ 1968 hit.

eric ericksson is back with his fourth release on swedish brandy productions. a stunning hot deep four tracker. excellent quality productions in every aspect that differs a bit in style.
in the past eric has also released on labels such fragile, planet e communications, papa records, freerange and local talk. his full length album will be released this spring on swedish brandy productions.

all track are written and produced by alessandro sensini and carlo battistini
tracks description:
a1 - raining: calma opens up with a hypnotic rumbler! snaps and claps take us in, before the eery synths and floating pointesque keys punctuate and a squelqchy, distorted bassline rumbles beneath the surface, making you feel like you re at a party in a haunted church. a2 - cuattro: calma takes us on a tropical trip, with an infectious sun-filled groove looping over incessant layers of beat patterns that weave in and out of the track teasingly, driven along by a banging bass drum to keep you nodding. b1 - mr amarè: calma shows his love for acid house with an epic, ever-evolving influenced roller that blends together nearly every percussion instrument you could ever dream of. crashes, symbals and a cowbell drive it along, underscored by a seriously funky bass line and mysterious vocal sample that emerges halfway through tying it all together nicely. b2 - cuattro /juju & jordash rmx): juju and jordash take over the remix duties for calma. the dutch duo add their deep trademark sunshine inflected beats and sturdy basslines to the already tropical loop, while infusing swirling synths and strings that lead us in and out of the breakdowns and on to a late night, chilled-out dance floor.

2016 repress!!!! great raw techno tracks ... the third release of md2. after the red labelled md2 and the red/black labelled md2.2 its an all black labelled md2.3. a 4 track ep with 4 straight techno tracks that are raw and effective! killer dj tools to rock every dark basement.

if you ve followed local talk thru the years you ve most likely noticed how we like to throw a few curve-balls every now and then. for our 65th release we ve got gomma boss mathias modica aka munk and ndatl head honcho kai alce sharing the black gold. two producers with their own unique style presenting something special. while munk s original version of hot medusa is a shimmering and warm head-nodding & toe-tapping jam, the remix by mr alce is deep, soulful and musically rich house. two very different takes on one track, take your pick. on the flip munk delivers purple dust. this time he s upped the tempo a few bpm s, accompanied by a deep bassline with lush melodic synths and chords. mr alce ends the 12- with a dub of hot medusa which is brilliant from start to finish. another highly recommended and essential release.

ltd pressing, straight from sao paulo, the debut ep of sphynx (aka marcio vermelho and pedro zopelar) is undoubtedly pure balearic bliss! intricate masterful compositions fascinate with live guitar, drum machines and vintage synths combined in a harmonious arrangement. without the use of any samples, sphynx constructs the perfect soundtrack for every sunset between ipanema and ibiza. no ar captivates through its unforgettable bassline and dreamy synths, while enigma shows the producers love for spheric new beat and proto house. on the flipside, tempestade explores the realm of electro rock, while toby tobias remix transforms the title track, with rough drums and the synth work, into a psychedelic uptempo jam.

2015 brought the trilogy of the dancer to ressort. now the labels core artists each remix their tracks in circles. while all of them aim for the dancefloor, ressorts core artists could not sound more diverse. ekserd and border one aim for the raw, the groovy and the pure while array access and glos lose themselves more and more in sound design and dreaminess. since the many aspects of art and music form a cycle of ying and yang, each artist shows the other an interpretation of what he might have missed before. be it a complete stomper or a light absorbing epos, a deep and groovy house and techno hybrid or a journey into the depths of space every artist made one of the well known tracks released on previous eps his own. it is a very colourful package that bares every moment the label tried to cover in it s series before.

3 years, 5 months & 2 days in the life of... is the debut album by american hip hop group arrested development, released in 1992. the album charted at #3 in the uk charts, and #7 in the billboard 200. charting singles that came off the album are *people everyday*, *mr. wendal* and *tennessee*. the latter song is part of the the rock and roll hall of fames 500 songs that shaped rock and roll list.
pressing on 180 gram audiophile vinyl.

every dog has that certain spot: you scratch it, and your four-legged friend starts kicking out in highest ecstasy, losing all control of his reflexes. the tunes of timboletti work pretty much like that. only he s using full-bodied bass lines to stimulate his audience. it almost seems like the bodies on the dancefloor get invisibly connected to the membranes of the speakers and their rhythmic movement. on top of that, timboletti employs psychelicious sounds and melodies, enchanted sample scraps and a pinch of acid, a cocktail that tickles through the brain of the listener as if somebody poured a glass of champagne into it. the essence of forward thrust and deepness, on this ep in five different variations and tree further remixes.

who would have ever thought? the g man found himself a protege. after the odd 50+ solo releases offered through his phoenix g imprint mr.g has found himself a young producer that has a style that connects with the phoenix g output thus far. with g opening his bag of tricks to him, this cant go wrong. mysterious jayson wynters offers a 4 track record that is hazy, technoid and threads into deep territories every now and then.